FILM MAKER: SYDNEY POLLACK

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1. Original Soundtrack, composed by John Barry.

2. Non-diegetic music: we don't see the performers of the music or any device that can reproduces it.

3. Integrated music: it's justified in the plot; it announces and underline the negative consequences of the war and its emotional charge.  

4.  Convergent music: the same previous explanation.

5. Sequence music: it's the first sequence that introduces the film

6. Music in a first plane: it sounds in a high volume and stands out. The use of the music treats to underline the beauty and the natural wonder of the African landscapes in addition to the love between the protagonist couple. 

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